The fourth season of one of ‘Project Runway’ debuted last night and overall it made me miss the first three seasons. The Bravo Network has been advertising heavily for the premiere by featuring the contestants saying cleverly scripted sound bites, but my gut reaction about them panned out during the first episode – most are reincarnated freak show exhibits.
It’s not that I mind the eccentric personality of two, but this season is top heavy with them. There is Sweet P, the ex-biker chick whose forearms scare the hell out of me. Accompany her tattoos with the clichéd baby doll dresses and you have a taste of her sweetness.
Kit claims that life is too short to wear ugly clothes so I suspect she only has a month to live (in lieu of flowers, please send donations to your nearest Salvation Army donation box).
Carmen was an ex-model who has fuglied herself up post catwalk career.
Jillian used to work for Ralph Lauren and you know just by the way she tilts her head just so she is an unstable bitch.
Christian, who I believe is the youngest contestant on the show, seems like a medical experiment gone wrong…or a ‘project’ within ‘Project.’
Marion hails from Dallas and owns a flower shop where he also sells his designs. Odds are pretty high that he keeps disassembled body parts in a freezer at his mom’s place…just saying, he seems like that kind of guy.
Kevin is the token heterosexual male designer – he wanted to make that clear to the viewing audience in case we were so callous as to stereotype men in the clothing design profession.
Ricky grew up poor, moved to New York to dance, started his own lingerie line, and now wears colorful train conductor hats on TV.
Jack reminds me of a preppy gay jock who enjoys marathon tennis games.
Rami has been in the designing business for some time and appears, compared to the rest of the cast, to actually be somewhat normal.
Simone…I don’t know why I am even bothering to mention her because she was the first to get Heidi’s signature, “Auf weidersehen.”
Steven is from Chicago and almost made it onto Season 3. He comes across as someone who has had his fair share of wedgies. I don’t even know the guy, but if I saw him on the street I would steal his lunch money.
Victorya was born in Korea, but judging from her accent has spent most of her years in the good ol’ US of A. Like Rami, she seems normal, but previews of future shows paint her as a prima dona or perhaps that is just intriguing editing.
Chris seems fairly nice with a career that involves designing outlandish clothes for stage productions. If ‘Project’ doesn’t work, there is always next season on ‘The Biggest Loser’…get it, he’s a bit big.
Of course, last but not least, is the marionette clothing designer, Elisa. Although I have been hard on the oddballs of Season 4, I have to admit that Elisa interests me. For one thing, her design experience is totally off the beaten path and her methods of design are unconventional (for instance, instead of pinning a dress on the dress making dummy she pins it on herself while prone. Usually you say marionette and I’m gone, but there might be more to Elisa than what first meets the eye.
Perhaps I might have thought differently about the designers if Bravo had aired a ‘Road to Runway’ special as they had before the debuts of Seasons 2 and 3. These shows were nice transitions between the old cast and the new. They updated what the designers had been doing since the show, which was nice because, let’s face it, this show is a phenomenon. Further, it was always fun to see finalists of the previous seasons now in positions of judging other designers. I would have given anything to see Season 3’s Laura’s face when Elisa explained she designed dresses for fifteen feet tall marionettes. Then again, both women came into fashion through non-traditional methods, Laura was an architect.
Yet, most of all, the audience saw why these people were on the show. Michael from Season 3, who had a hip-hop sensibility, might not have made it into the cast if Season 2 winner, Chloe Dao, did not state upfront that although Tim Gunn wasn’t impressed, she saw something in him. Wouldn’t it have been great to see Michael give the same sort of encouragement to the new contestants?
Part of my disdain for Season 4 is that I don’t know these people. I didn’t see what clothes they brought with them to the auditions, which is a good indication if I like their design sensibilities. I didn’t see where they came from and how where they came from influenced their sense of style. One of the major strengths of ‘Project Runway’ in the past was that the contestants were from all parts of the United States. People from small town USA were able to compete head to head with designers seasoned in New York…and sometimes people from places like Norman, Oklahoma triumphed and sometimes they didn’t.
I suspect that one of the main reasons there wasn’t a ‘Road to Runway’ special was because Tim Gunn is just too damn busy. He now has his own show, ‘Tim Gunn’s Guide to Style’ and is the Chief Creative Officer at Liz Claiborne. In other words, ‘Project Runway’ has made Gunn a star! When the show began, he was the Chair of the Department of Fashion Design at Parsons New School for Design. Since the show is filmed at Parsons, Gunn must have seemed like the natural person who could play mentor to the contestants. Although I wouldn’t begrudge him any of his recent successes (few TV personalities come off as intelligent or as sincere as Gunn) already the show feels a little loss without all of his input. In the past, he was the person sent to several cities to judge the talents of contestants and help decided who should be cast. When this season opened, Gunn makes a speech alluding that it was the first time he was meeting everyone. As always, he spouted the company line that each season draws more and more talented designers, but I disagree.
The first challenge for the designers was grab a bunch of material that was donated by Mood (which is now the most recognizable material store in the nation due to the show). From there, they had a time limit of over twelve hours to make a dress to reflect their design philosophy. Yes, the time constriction sucked, but they had tons of great material to choose from – yet, the results were under whelming. Look, I live in Kansas City, not the fashion capital of the world. I know some of the local designers and have gone to shows, but the problem with Kansas City fashion is the problem with the fashion sense of too many of the designers on Season 4; they have a ‘Tim Burton’s Nightmare Before Halloween’ art aesthetic. This not only makes the clothes ugly and uncomfortable, but it is the same damn s*&^ people have seen for the last thirty years! So for all of you biker chicks with Rainbow Bright inspired names who have tattoos all over your body and wear baby doll dresses, guess what? I HAVE SEEN IT ALL BEFORE AND YOU BORE ME WITH YOUR LACK OF CREATIVITY!
In the end, Rami won for a cute gray dress (an off the shoulder number). It was beautiful and cool and most importantly, I would have worn it.
BTW, all above opinions expressed about the designers are subject to change if they demonstrate wit, creativity, and talent. Sew, let the games begin!
© 2007 Westerfield